Wednesday, February 24, 2021

On Kawara: Date Paintings and Jenny Holzer's Truisms

 


Guggenheim Museum video about On Kawara's Date Paintings here

Guggenheim curator Jeffrey Weiss and curator Kasper König discuss On Kawara’s Today (1966–2013), an extended series of paintings of dates produced according to a strict set of rules.


SFMOMA website features video short, "Artist Jenny Holzer discusses the project she designed for the Spectacolor light board in Times Square, created in 1982 as part of her ongoing |Truisms| series here

Lawrence Weiner

 

Art Should Fuck Up Your Life: The Zen of Lawrence Weiner video here


At 19, Lawrence Weiner created Cratering Piece by detonating four explosions in a field in California, which set him on an international art career. He is known for his contribution to conceptual art through text-based sculpture, in which the statement describing a work is indistinguishable from the work itself. A week before being honored at New York's The Kitchen Gala, Lawrence sat down with Creators to discuss how Cratering Piece launched him as an artist, how his perspective on the work has changed, and the role he envisions for art in our culture.

JACK PIERSON | A Town Not This One | Galerie Thaddaeus Ropac | Salzburg | 2014

 



View Jack Pierson discussing his work and A Town Not This One here

From 30 August 2014 Galerie Thaddaeus Ropac Salzburg presents a solo exhibition entitled "A Town Not This One" by Jack Pierson – Pierson's ninth solo show in the gallery since 2000. In A Town Not This One, the works shown are mainly Word Pieces – large-scale wall sculptures comprising letters of different sizes and materials which, with their clear outlines, are diametrically opposed to the hazy, soft-focus effect of Pierson's photographs. The sculptures are composed of found objects which the artist has collected over many years. They might be termed the American variant of concrete poetry, where language itself is represented in the shape of the work. Whereas during the 1990s Pierson worked primarily with slogans that were often a somewhat melancholy reminder of a long outdated, glamorous Hollywood age, today he is more interested in philosophical topics. The word compositions, skilful combinations of word and material, use classical references, literature and quotations from the Bible, evoking subtle associations for the viewer. His Word Pieces are concise, sometimes laconic, but the echo of his word creations sends our thoughts roaming far and wide. Thus the poetry in Pierson's work assumes a spiritual dimension. He attempts to explore the reverse side of the concept "American Dream", to express what he calls "the inherent tragedy of the pursuit of glamour". In these works, Pierson often plays with subconscious, collective knowledge of proverbs, fairy-tales, song texts and literary clichés. For more information about the exhibition please visit http://ropac.net/exhibition/a-town-no...

Brian Dettmer

 


Brian Dettmer Ted Talk here

What do you do with an outdated encyclopedia in the information age? With X-Acto knives and an eye for a good remix, artist Brian Dettmer makes beautiful, unexpected sculptures that breathe new life into old books. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more. Find closed captions and translated subtitles in many languages at http://www.ted.com/talks/brian_dettme...


Ann Hamilton's Human Carriage and Other Works

 



View and read about these Ann Hamilton projects and this conversation:

Everywhere and Nowhere Robert Ayers in Conversation with Ann Hamilton here

A two-minute informal video on human carriage piece for the Guggenheim's Third Mind exhibition here

Ann Hamilton, book blocks, 2003-present here

Ann Hamilton, near away, 2013 here 

Ann Hamilton, book weights (human carriage), 2010 here

Ann Hamilton, carriage, 2009 here

Monday, February 22, 2021

The Misfits - 30 Years of Fluxus (1993)

 

The Misfits - 30 Years of Fluxus (1993) video here

The film portrays a group of artists who since the early 1960s have completely disrupted our ideas of what art can be. In large part filmed in Venice in 1990, when many of the original Fluxus artists met to hold a large exhibition almost 30 years after the first highly untraditional Fluxus' performances. Features Eric Andersen, Philip Corner, Dick Higgins, Yoko Ono, Nam June Paik, Ben Vautier, and many others. 12:28 Dick Higgins 13:19 Eric Anderson 13:26 Emmett Williams 13:46 Ben Patterson 14:03 Philip Corner 14:27 Ben Vautier 14:42 Henry Flynt 14:54 Ken Friedman 15:03 Henry Flynt 15:14 Jackson Mac Low 15:28 yoko ono 15:59 Yasunao Tone, smooth event, 1983 16:40 Robert Watts, "F/H Trace" or "solo for wind instrument", 1993 17:05 Ben Vautier talks about George Maciunas 18:31 George Maciunas 19:01 Dick Higgins on Maciunas 19:12 other artists on Maciunas 21:45 George Maciunas interviewed by Larry Miller, 1978 26:45 "In memoriam George Maciunas" by Nam June Paik and Joseph Beuys, Düsseldorf, 1978 27:21 Nam June Paik 28:03 John Cage performing 4'33" NY, 1970 30:16 Yoko Ono 33:39 Arthur Kopcke in "music while you work" from "En cigarets tid" by Anders Hauch 34:03 Ben Vautier on Fluxus 39:50 "566 to Henry Flynt" by La Monte Young 40:04 La Mont Young 40:40 Henry Flynt 48:09 Lick by Ben Patterson, wiesbaden, 1982 1:06:26 Philip Corner, piano activities, 1962

Ann Hamilton and Kathryn Clark Palimpsest

 


Ann Hamilton and Kathryn Clark palimpsest exhibition images and texts here and here

Ann Hamilton and Kathryn Clark’s palimpsest, an installation in two parts, was a thoughtful meditation on the seemingly random way in which memories are processed and eventually lost. palimpsest was a special part of the larger exhibition “Strange Attractors: Signs of Chaos." Part of palimpsest took place in a room connected to the main "Strange Attractors: Signs of Chaos” exhibition space, while another part was installed at the Window on Broadway. Inspired by the story of an elderly man who, to combat his failing memory, put note card reminders on the walls of his home, the artist pinned hundreds of small sheets of yellowed paper to the walls of a room within the exhibition. These unidentified fragments of memories, thoughts and bits of conversation fluttered in the breeze generated by and antique fan. A large glass vitrine, containing two heads of cabbage being systematically devoured by countless snails, made poignant reference to the physical deterioration of the brain’s capacity. 

Barbara Kruger


 Barbara Kruger "Who Owns What" at Tate video here

How can art reflect the power of branding and advertising in the everyday? Barbara Kruger’s Who Own’s What?, 2012, blurs the boundaries between art and commerce. Watch Jessye from Tate Collective London presents her perspective on this bold artwork. Tate Collective London run free event for young people aged 15–25 to experiment, create and innovate through art and ideas at Tate Modern and Tate Britain, and is a part of Circuit, led by Tate and funded by the Paul Hamlyn Foundation. 'Who Owns What?' is currently on display at Tate Modern: https://goo.gl/2qn5sC


Mark Bradford Art21

 

Mark Bradford Art 21 video here

Mark Bradford transforms materials scavenged from the street into wall-size collages and installations that respond to the impromptu networks—underground economies, migrant communities, or popular appropriation of abandoned public space—that emerge within a city. Drawing from the diverse cultural and geographic makeup of his southern Californian community, Bradford’s work is as informed by his personal background as a third-generation merchant there as it is by the tradition of abstract painting developed worldwide in the twentieth century. Bradford’s videos and map-like, multilayered paper collages refer not only to the organization of streets and buildings in downtown Los Angeles, but also to images of crowds, ranging from civil rights demonstrations of the 1960s to contemporary protests concerning immigration issues.