To listen click here
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Worldwide one of a kind, the Vegetable Orchestra performs on instruments made of fresh vegetables. The utilization of various ever refined vegetable instruments creates a musically and aesthetically unique sound universe.
more info: http://www.vegetableorchestra.org
View exhibition here
and video teaser here
NOUS LES ARBES Exhibition - Cartier Foundation, Paris
Underestimated by biology for a long time, trees—like the entirety of the plant kingdom—have been the subject of scientific discoveries in recent years that have allowed us to see the oldest members of our community of living beings in a new light. Boasting sensory and memory capacities, as well as communication skills, existing in symbiosis with other species and exerting a climatic influence, trees are equipped with unexpected faculties whose discovery has given way to the fascinating hypothesis of “plant intelligence,” which could be the answer to many of today’s environmental problems. In resonance with this “plant revolution,” the exhibition Trees merges the ideas of artists and researchers, thus prolonging the exploration of ecological issues and the question of humans’ relationship to nature, which has been a regular theme in the Fondation Cartier’s exhibition program, as was the case recently with The Great Animal Orchestra (2016).
View Open Score Documentary click here
In Open Score, Robert Rauschenberg derived the content of his performance from the characteristics of the performance venue. The tennis racquet suggested both the idea of the ready-made (at other times tennis was played at the Armory) and that of a dance improvised in accordance with specific rules. The lighting, however, which dimmed each time a racquet hit a ball, conferred on the player’s actions a function bound up with a complex technological system. During the second part of the performance, which took place in total darkness, a crowd on stage, which was filmed with infrared cameras, appeared to mirror the viewers assembled on the bleachers that served as seats. As close as the onstage crowd was, it could be seen, paradoxically, only on the screens.
Tarek Atoui interview here
and here
To view William Wegman - Massage Chair (1972) click here
To view video click here